"Synchronise the flow of intersections, Catalogue all still heartbeats. Franchise the machinations of The bourgeois-fangled reverie. Gleaming in flamboyancy, Resign to solid chrome. Ohmic opposition is futile And impedes upon ideas worthwhile. Delicate, infallible construction, We know now what destructiveness comes from.
Seminars on entangled escalators, Meetings with silent translators, A flashback of dystopia Warning in sleep with a recurring trace. All the fragments and segments Of fluid sequences, The pretence of a universal race Not made of metal is moot. Delicate, infallible construction, We know now what destructiveness comes from.
We are living - there's no deed in indulgence A faded glory, relying on 'Me and Mine'. The exile from human ecstasy To a place where we're engineered."
[ Exile - Theatre of Tragedy ]
New outfit and location with Daniela, this time more steampunk-oriented. This is another concept I've been thinking about for some time. I wasn't sure whether to use some power plant or a generic machine as the background, but in the end the old train was perfect. And oh, yeah, cloudy sky + black train = exposition was a pain, so it' not very correct, I know it. Taken in the Railway museum, Trieste.
Photo, concept: Me Model, outfit, hair, make up: ~dani-foca
nice pose, decent shot, the model's nice, but perhaps not the best for this shot. another one of those times I want to jump someone just to steal their clothes.
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